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home·artworks·Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham
Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham by Angelica Kauffman

plate no. 5011

Thomas Noel-Hill (1770–1832), 2nd Baron Berwick of Attingham

Angelica Kauffman, 1793

oilNeoclassicismportraitportraitfigurecolumnlandscapeclothingurn
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of fabric textures, as well as understanding subtle color variations to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figure and background elements.

  2. step 02

    Block in the main areas of color, focusing on the overall values and establishing the light source.

  3. step 03

    Develop the background, starting with the sky and then moving to the foliage and architectural details.

  4. step 04

    Begin refining the figure, paying close attention to the facial features and the folds of the clothing.

  5. step 05

    Add details to the clothing, including the lace, ribbons, and textures of the fabric.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details such as the sword, the hat, and the embellishments on the urn.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · ivory black · titanium white · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix various shades of gray and brown by combining ivory black, titanium white, and raw umber. Use ultramarine blue and white to create the blue accents in the clothing. Add small amounts of cadmium red light to the skin tones for warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·underpainting
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Inconsistent color mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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