apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Thetis Delivering Achilles New Armor
Thetis Delivering Achilles New Armor by François Gérard

plate no. 9292

Thetis Delivering Achilles New Armor

François Gérard

oilNeoclassicismmythological paintingfiguresmythologyarmordraperyinteriorgrief
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating dramatic lighting effects. It also offers practice in depicting complex emotions through facial expressions and body language.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the main light source and block in the dark and light areas.

  3. step 03

    Begin layering in the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Render the drapery, focusing on the folds and shadows to create a sense of volume.

  5. step 05

    Paint the armor and other details, adding highlights and reflections.

  6. step 06

    Refine the facial expressions and body language of the figures.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Glaze to unify the colors and create a sense of atmosphere.

color palette

primary · titanium white · cadmium red · ivory black · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create cool shadows. Mix red and black for the darker reds.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery study
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or flat lighting.
  • →Lack of attention to detail in the drapery and armor.
  • →Inaccurate rendering of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs