apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Wounded Angel
The Wounded Angel by Hugo Simberg

plate no. 3383

The Wounded Angel

Hugo Simberg, 1903

oil, canvasSymbolismsymbolic paintingfiguresangellandscapelakeskychildren
some experience helpful

Recreating this painting will help students develop skills in figure painting, creating atmospheric perspective, and using a limited color palette to convey mood. It also provides practice in rendering fabric and subtle skin tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the horizon line and the basic shapes of the landscape elements.

  3. step 03

    Block in the main colors of the sky, water, and ground using thin washes.

  4. step 04

    Begin layering in the darker values of the figures' clothing and the shadows on the ground.

  5. step 05

    Develop the form of the angel figure, paying attention to the drapery and the wings.

  6. step 06

    Add details to the faces and hands, focusing on capturing the expressions.

  7. step 07

    Refine the landscape details, adding texture and depth with dry brushing.

  8. step 08

    Add final highlights and shadows to create a sense of realism and atmosphere.

color palette

primary · ivory black · raw umber · titanium white

secondary · ultramarine blue · yellow ochre · burnt sienna

Achieve the muted tones by mixing black and umber with white. Use small amounts of blue and yellow to create subtle variations in the sky and landscape. Mix white with a touch of burnt sienna for the angel's skin.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·limited palette

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly bright or saturated colors
  • →Lack of depth in the landscape
  • →Ignoring the subtle value shifts in the clothing
  • →Failing to capture the emotional expression of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull