apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Winter Canal
The Winter Canal by Mikhail Vrubel

plate no. 1955

The Winter Canal

Mikhail Vrubel, 1901

watercolor, paperSymbolismcityscapebuildingssnowcanalcityscapearchitecturewinter
some experience helpful

Recreating this painting will help students understand how to use a limited color palette to create depth and atmosphere, and how to suggest detail with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the canal, focusing on proportions and perspective.

  2. step 02

    Mix a range of blue-gray tones for the buildings, varying the intensity and warmth slightly.

  3. step 03

    Apply the darkest values first, defining the shadows and architectural details.

  4. step 04

    Add lighter washes of blue and gray to suggest snow and highlights.

  5. step 05

    Use dry brush techniques to create texture on the buildings and snow.

  6. step 06

    Paint the canal with varying shades of blue, reflecting the sky and buildings.

  7. step 07

    Add small details like windows and architectural ornaments with a fine brush.

  8. step 08

    Allow the paper to show through in some areas to create a sense of light and air.

color palette

primary · Prussian blue · Payne's gray · Titanium white

secondary · Burnt umber · Ultramarine blue

Mix Prussian blue and Payne's gray for the darker tones. Add Titanium white to create lighter shades. Use Burnt umber to slightly warm the grays and blues.

techniques

  • ·Wet-on-dry
  • ·Dry brush
  • ·Layering
  • ·Limited palette
  • ·Value studies

common pitfalls

  • →Overworking the details
  • →Using too much water
  • →Creating muddy colors
  • →Ignoring value contrast

materials

surface · Watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor paper (140lb or heavier)
  • ·Round brushes (various sizes)
  • ·Flat brush
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull