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home·artworks·The white woman 1900
The white woman 1900 by Gabriel von Max

plate no. 5940

The white woman 1900

Gabriel von Max

oilSymbolismportraitfigureportraitdoorwayveilkeysclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and the subtle gradations of light and shadow. It also provides practice in depicting translucent fabric and metallic details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the doorway.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and gesture.

  4. step 04

    Begin to refine the skin tones, using thin layers of paint and careful blending.

  5. step 05

    Develop the details of the veil, using light, transparent washes to create a sense of depth and translucency.

  6. step 06

    Add the details of the keys, using small brushes and precise strokes.

  7. step 07

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use ivory black and raw umber for shadows. Mix ultramarine blue with raw umber to create cooler dark tones.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to create a sense of depth in the veil.
  • →Ignoring the subtle gradations of light and shadow.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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