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The White Glove by George Washington Lambert

plate no. 4342

The White Glove

George Washington Lambert, 1921

oilSymbolismportraitportraitwomanhatglovesfurdress
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabrics with varying textures. It also offers practice in creating depth and form using value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the overall composition.

  2. step 02

    Establish the main areas of light and shadow using a thin wash of burnt umber or a similar neutral color.

  3. step 03

    Block in the large shapes of the dress, fur, hat, and background with their respective base colors.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and subtle value changes.

  5. step 05

    Develop the details of the clothing, paying attention to the folds and textures of the fabric and fur.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and background.

  7. step 07

    Refine the details of the hands and jewelry.

  8. step 08

    Add final touches and adjust values as needed to achieve a cohesive and balanced painting.

color palette

primary · ivory black · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · cadmium red light · raw sienna

Mix blacks and blues with umber to create shadows and depth. Use white and yellow ochre to create highlights on the skin and fur. Mix small amounts of red into skin tones to add warmth.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·value studies
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and dimension.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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