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home·artworks·The Way of Silence
The Way of Silence by Frantisek Kupka

plate no. 9502

The Way of Silence

Frantisek Kupka, 1903

oil, canvasSymbolismcityscapesphinxesstatuesnightstarsfigurepath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, value control, and creating a sense of depth using subtle color variations. It also provides practice in rendering stone textures and the illusion of light in a dark environment.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the path and the relative sizes of the sphinxes.

  2. step 02

    Establish the dark background sky with a thin wash of dark blue and black, adding subtle variations for depth.

  3. step 03

    Block in the main shapes of the sphinxes and the large sphinx on the right with a mid-tone gray-brown.

  4. step 04

    Begin layering lighter values on the sphinxes to create the illusion of light and form, paying attention to the direction of the light source.

  5. step 05

    Add details to the sphinxes, such as the facial features and the texture of the stone.

  6. step 06

    Paint the path with varying shades of gray, creating a sense of depth and perspective.

  7. step 07

    Add the figure in the distance, keeping it simple and silhouetted.

  8. step 08

    Finally, add the stars in the sky with small dots of white paint, varying their size and density.

color palette

primary · ivory black · ultramarine blue · raw umber

secondary · titanium white · yellow ochre · burnt sienna

Mix various shades of gray by combining black and white, adding small amounts of blue or brown to adjust the temperature. Achieve the stone color by mixing raw umber, yellow ochre, and white.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·linear perspective

common pitfalls

  • →Failing to establish a strong value structure, resulting in a flat and lifeless painting.
  • →Overworking the details, losing the overall atmospheric effect.
  • →Incorrect perspective, making the composition appear distorted.
  • →Using colors that are too saturated, creating an unrealistic and jarring effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a fine-grain canvas for smoother blending. Consider using a toned canvas (e.g., light gray) to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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