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home·artworks·the Waterfalls at Tivoli
the Waterfalls at Tivoli by Claude-Joseph Vernet

plate no. 6351

the Waterfalls at Tivoli

Claude-Joseph Vernet, 1737

oil, canvasNeoclassicismlandscapewaterfallmountainstreesfiguresriverarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic water effects. It also provides practice in creating depth through layering and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major landforms and the waterfall.

  2. step 02

    Establish the sky and distant mountains with light, muted colors.

  3. step 03

    Block in the dark areas of the foreground rocks and trees using a dark brown or umber.

  4. step 04

    Begin layering in the mid-tones on the rocks and foliage, paying attention to the direction of light.

  5. step 05

    Paint the waterfall, starting with the overall shape and then adding details like splashes and reflections.

  6. step 06

    Add the figures, keeping them small and in proportion to the landscape.

  7. step 07

    Refine the details of the foreground, adding texture and highlights to the rocks and trees.

  8. step 08

    Glaze over areas to adjust values and create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black · cadmium yellow light

Mix greens by combining yellow ochre and ultramarine blue. Achieve atmospheric perspective by adding white to colors for distant elements. Use burnt umber and ivory black for shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering water
  • ·layering

common pitfalls

  • →overworking details too early
  • →not establishing a strong value structure
  • →making the colors too saturated
  • →ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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