apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Voices
The Voices by Gustave Moreau

plate no. 2446

The Voices

Gustave Moreau, 1867

gouache, watercolor, paperSymbolismallegorical paintingfiguresangellandscapewreathwingsbuilding
experienced study

Recreating this painting will help students develop skills in layering translucent colors, creating atmospheric perspective, and rendering complex drapery and figures with subtle shading.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and background elements, paying attention to proportions and composition.

  2. step 02

    Apply a thin wash of diluted burnt sienna or raw umber to establish the overall tonal values.

  3. step 03

    Begin layering in the darker areas of the background and figures using a mix of blues, browns, and purples.

  4. step 04

    Gradually build up the lighter areas of the figures and drapery with thin washes of ochre, pink, and white.

  5. step 05

    Add details to the angel's wings, the shepherd's clothing, and the landscape using small brushes and precise strokes.

  6. step 06

    Use dry brush techniques to create texture in the rocks and drapery.

  7. step 07

    Glaze over areas to unify the colors and create depth.

  8. step 08

    Add final highlights and details to the figures' faces and the wreath.

color palette

primary · burnt sienna · raw umber · ultramarine blue · titanium white

secondary · yellow ochre · alizarin crimson · violet · payne's gray

Achieve skin tones by mixing white, ochre, and a touch of red. Create atmospheric perspective by adding blue to distant colors. Use glazes of diluted colors to unify the painting.

techniques

  • ·glazing
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using opaque colors that flatten the image.
  • →Failing to establish a strong value structure.
  • →Not paying attention to the subtle color variations in the figures' skin tones.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·gouache paints
  • ·watercolor paints
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·soft cloth or paper towels

optional

  • ·palette knife
  • ·masking fluid
  • ·watercolor pencils

Use high-quality watercolor paper that can withstand multiple layers of washes. Experiment with different brands of gouache and watercolor paints to find your preferred consistency and pigmentation.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull