apprentice
artistsserieslearnchatartworkscommunity galleryblog
apprentice

deliberate practice for serious artists

writingsourcesmethodsaboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Vestals Attending the Sacred Fire
The Vestals Attending the Sacred Fire by David Allan

plate no. 0414

The Vestals Attending the Sacred Fire

David Allan, 1772

oilNeoclassicismgenre paintingfiguresarchitectureinteriorcolumnsdraperylamp

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the figures, paying close attention to anatomy and drapery folds.

  4. step 04

    Develop the architectural details, including the columns, arches, and decorative elements.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Refine the details of the faces and hands, paying attention to expression and gesture.

  7. step 07

    Add the lamp and other accessories, ensuring they are accurately rendered.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Achieve skin tones by blending cadmium red light, yellow ochre, and titanium white, adjusting the ratios to create different complexions.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·drapery rendering
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or flat lighting
  • →Poorly rendered drapery folds
  • →Inaccurate architectural details

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, titanium white, cadmium red light, ultramarine blue, yellow ochre, ivory black)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs