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home·artworks·The Venus That was Never Finished
The Venus That was Never Finished by John Duncan

plate no. 4572

The Venus That was Never Finished

John Duncan, 1920

oilSymbolismportraitfigureportraitseaskybirdshair
some experience helpful

This painting provides practice in subtle color blending and creating soft, ethereal effects. Students can develop their skills in portraiture and depicting atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
2
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the birds.

  2. step 02

    Block in the large areas of color: sky, sea, figure's skin, and hair.

  3. step 03

    Begin blending the colors in the sky and sea, creating a soft, atmospheric effect.

  4. step 04

    Develop the figure's skin tones, paying attention to subtle shifts in color and value.

  5. step 05

    Add details to the hair, using thin layers of paint to create texture and depth.

  6. step 06

    Paint the birds, using light, airy brushstrokes.

  7. step 07

    Refine the details of the face, focusing on the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of depth.

color palette

primary · titanium white · ultramarine blue · raw umber · yellow ochre

secondary · alizarin crimson · viridian green

Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and white for the sky, adding a touch of raw umber to soften the color. Mix ultramarine blue, viridian green, and white for the sea.

techniques

  • ·soft blending
  • ·glazing
  • ·atmospheric perspective
  • ·portraiture
  • ·color layering

common pitfalls

  • →Overblending, resulting in a muddy appearance.
  • →Using too much paint, which can obscure the subtle color variations.
  • →Ignoring the importance of value in creating form.
  • →Getting the proportions of the face wrong.
  • →Harsh lines

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

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