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home·artworks·The Turn of the Tide
The Turn of the Tide by John Duncan

plate no. 9045

The Turn of the Tide

John Duncan

oilSymbolismgenre paintingfiguresearockslandscapeveilcoast
some experience helpful

Recreating this painting will help students practice rendering draped fabric and capturing subtle color variations in water and rocks. It also provides practice in depicting a figure within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, rocks, and horizon line.

  2. step 02

    Establish the main color blocks for the sky, sea, rocks, and figure's robe using thin washes.

  3. step 03

    Begin layering colors in the sea, creating the illusion of movement and depth with horizontal brushstrokes.

  4. step 04

    Develop the form of the rocks, adding highlights and shadows to create a sense of volume.

  5. step 05

    Refine the figure's robe, paying attention to the folds and drapery. Use subtle variations of white and gray to create depth.

  6. step 06

    Add details to the figure's face and hands, capturing the expression and gesture.

  7. step 07

    Introduce subtle color variations into the rocks and water to enhance realism.

  8. step 08

    Add final highlights and shadows to create a sense of atmosphere and depth.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · burnt sienna · yellow ochre · alizarin crimson

Achieve the subtle grays and whites in the robe by mixing titanium white with small amounts of raw umber and ultramarine blue. Create the sea colors by blending ultramarine blue with white, yellow ochre, and a touch of burnt sienna.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·rendering fabric

common pitfalls

  • →Overworking the details in the rocks, losing the overall sense of form.
  • →Making the figure's robe too flat and lacking depth.
  • →Failing to capture the subtle color variations in the sea.
  • →Creating harsh lines and edges, rather than soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a neutral gray can be helpful.

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