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home·artworks·The Triumph of Alexander the Great
The Triumph of Alexander the Great by Gustave Moreau

plate no. 5995

The Triumph of Alexander the Great

Gustave Moreau, 1892

oilSymbolismhistory paintingarchitecturemountainsfiguresprocessionthronelandscape
experienced study

Recreating this painting will help students develop skills in layering, glazing, and creating atmospheric perspective. It also offers practice in depicting complex architectural details and figures in a grand, historical setting.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architecture, mountains, and figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Begin layering in the darker areas of the rocks and foreground, using a mix of browns and blacks.

  4. step 04

    Start building up the architecture with light grays and whites, paying attention to the details.

  5. step 05

    Add the figures in the procession, using small brushstrokes and muted colors.

  6. step 06

    Glaze over the painting with thin layers of color to create depth and atmosphere.

  7. step 07

    Add highlights to the architecture and figures to create a sense of light and shadow.

  8. step 08

    Refine the details and make any necessary adjustments.

color palette

primary · titanium white · burnt umber · raw sienna · ivory black

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing complementary colors and using white to create variations in value. Use glazes of ultramarine blue to create atmospheric perspective in the distant mountains.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Getting bogged down in the details too early.
  • →Creating colors that are too saturated.
  • →Losing the overall value structure.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paints and improve flow.

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