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home·artworks·The Triumph of Aemilius Paulus
The Triumph of Aemilius Paulus by Carle Vernet

plate no. 8549

The Triumph of Aemilius Paulus

Carle Vernet

oilNeoclassicismhistory paintingfiguresarchitecturecityscapechariotprocessionmountains
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures, understanding atmospheric perspective, and rendering architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural elements and the horizon line.

  2. step 02

    Block in the large shapes of the buildings, mountains, and sky with diluted washes of color.

  3. step 03

    Establish the basic composition of the crowd, focusing on the overall flow and placement of figures.

  4. step 04

    Start adding details to the architecture, paying attention to perspective and light/shadow.

  5. step 05

    Begin refining the figures, working from the background to the foreground, gradually increasing detail.

  6. step 06

    Focus on the chariot and the central figures, adding highlights and shadows to create depth.

  7. step 07

    Add final details, such as textures, highlights, and subtle color variations.

  8. step 08

    Glaze over the painting to unify the colors and create a sense of atmosphere.

color palette

primary · ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · ivory black

Mix various shades of grey and brown by combining burnt umber, ultramarine blue, and titanium white. Use ochre and cadmium red for the figures' clothing and skin tones. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering
  • ·glazing
  • ·grisaille underpainting

common pitfalls

  • →Getting lost in the details too early
  • →Incorrect perspective of buildings
  • →Inconsistent light source
  • →Overworking the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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