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home·artworks·The Summer's Day
The Summer's Day by Arnold Böcklin

plate no. 7587

The Summer's Day

Arnold Böcklin, 1881

oil, panelSymbolismlandscapetreeswaterfiguresskylandscapereflections
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering reflections in water. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and figures.

  2. step 02

    Block in the sky with a base layer of blue, gradually adding subtle variations in tone.

  3. step 03

    Establish the dark values of the trees and water, paying attention to the shapes and forms.

  4. step 04

    Begin layering the greens in the grass, using a variety of shades and textures to create depth.

  5. step 05

    Add the reflections in the water, ensuring they align with the objects above.

  6. step 06

    Paint the figures, focusing on capturing their poses and proportions.

  7. step 07

    Refine the details of the trees, adding highlights and shadows to create a sense of volume.

  8. step 08

    Add the small white flowers in the grass to create texture and detail.

color palette

primary · ultramarine blue · viridian green · yellow ochre · burnt umber

secondary · titanium white · cadmium yellow · alizarin crimson

Achieve the sky's subtle variations by mixing ultramarine blue with white and small amounts of yellow ochre. Create the greens by blending viridian green with yellow ochre and white, adjusting the ratios for different shades.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections
  • ·figure drawing

common pitfalls

  • →Overworking the details, especially in the trees and grass.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Inaccurately rendering the reflections in the water.
  • →Ignoring the subtle color variations in the sky and landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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