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home·artworks·The Star Of Bethlehem
The Star Of Bethlehem by Edward Burne-Jones

plate no. 1251

The Star Of Bethlehem

Edward Burne-Jones, 1885

oilSymbolismreligious paintingfiguresnativityangellandscapearchitecturereligious
experienced study

Recreating this painting will help students develop skills in rendering drapery, figures, and creating a harmonious color scheme with limited hues. It also provides practice in creating depth through subtle value changes and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Establish the background landscape with a thin wash of muted colors, focusing on the overall tonal values.

  3. step 03

    Block in the main figures with simplified shapes and values, gradually building up the forms with layers of paint.

  4. step 04

    Start refining the drapery folds and details on the figures, using a combination of blending and subtle brushstrokes.

  5. step 05

    Add details to the architectural elements, such as the thatched roof and woven fence, using a fine brush.

  6. step 06

    Introduce the lighter tones and highlights on the figures and objects, creating a sense of depth and dimension.

  7. step 07

    Carefully add the details of the faces, hands, and other important features, paying attention to the expressions and gestures.

  8. step 08

    Make final adjustments to the colors, values, and details, ensuring a harmonious and unified composition.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the muted, earthy tones by mixing raw umber and ivory black with varying amounts of titanium white. Use yellow ochre and burnt sienna to add warmth and depth to the shadows. A touch of ultramarine blue can be added to cool down certain areas and create atmospheric perspective.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Pre-toned canvas with a raw umber wash can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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