apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Sisters (Eleanor and Rosalba Peale)
The Sisters (Eleanor and Rosalba Peale) by Rembrandt Peale

plate no. 3311

The Sisters (Eleanor and Rosalba Peale)

Rembrandt Peale

oilNeoclassicismportraitportraitfiguressistersclothingdraperypalette
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Develop the drapery and clothing, focusing on the folds and highlights.

  5. step 05

    Add details to the faces, including the eyes, nose, and mouth.

  6. step 06

    Refine the background and add any remaining details.

  7. step 07

    Glaze to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · titanium white · ivory black · burnt umber · cadmium yellow

secondary · alizarin crimson · ultramarine blue · yellow ochre

Achieve skin tones by mixing titanium white, yellow ochre, alizarin crimson, and a touch of burnt umber. Darker tones can be achieved by adding ivory black or ultramarine blue. Use glazes of alizarin crimson and burnt umber to add warmth and depth to the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·value studies

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or unnatural skin tones.
  • →Lack of attention to detail in the faces.
  • →Flat or lifeless rendering of the drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →paint like rembrandt →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs