apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Shebeen, Sophiatown
The Shebeen, Sophiatown by Gerard Sekoto

plate no. 3741

The Shebeen, Sophiatown

Gerard Sekoto

oilExpressionismgenre paintingfiguresinteriorgatheringsocial scenenightlight
some experience helpful

Recreating this painting will help students understand how to depict figures in a dimly lit environment and how to use color to create a sense of atmosphere. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes and placement of the figures and the interior space.

  2. step 02

    Establish the darkest areas of the painting with a dark blue or purple.

  3. step 03

    Apply the dominant yellow tones to indicate the light source and illuminated areas.

  4. step 04

    Blend the edges of the light and dark areas to create soft transitions.

  5. step 05

    Add secondary colors like reds and oranges to the figures to create warmth and depth.

  6. step 06

    Refine the details of the figures and the interior, paying attention to the way the light falls on them.

  7. step 07

    Use thicker paint and visible brushstrokes to add texture and energy to the painting.

color palette

primary · ultramarine blue · yellow ochre · cadmium yellow

secondary · burnt sienna · alizarin crimson · white

Mix yellow ochre and cadmium yellow to create the various shades of yellow light. Mix ultramarine blue with burnt sienna to create the darker blues and purples. Add white to lighten the colors and create highlights.

techniques

  • ·color blending
  • ·scumbling
  • ·layering
  • ·limited palette
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the loose, expressive quality.
  • →Using too many colors and creating a muddy effect.
  • →Failing to establish a strong value contrast.
  • →Getting bogged down in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·painting medium
  • ·varnish
  • ·easel

A medium-sized canvas (16x20 inches) is recommended. Acrylics are easier for beginners, but oils will allow for richer colors and smoother blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor