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home·artworks·The School of Athens (after Raphael)
The School of Athens (after Raphael) by Anton Raphael Mengs

plate no. 5321

The School of Athens (after Raphael)

Anton Raphael Mengs, 1755

oilNeoclassicismhistory paintingfiguresarchitecturestatuescolumnsarchesinterior
advanced study

Recreating this painting will develop skills in figure drawing, perspective, and color harmony. It also provides practice in rendering complex compositions with many elements.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective.

  2. step 02

    Block in the main architectural elements, focusing on accurate proportions and spatial relationships.

  3. step 03

    Roughly sketch the placement of the figures, paying attention to their poses and interactions.

  4. step 04

    Start layering in the base colors for the architecture and figures, using thin washes.

  5. step 05

    Gradually build up the values and details in the architecture, adding shadows and highlights.

  6. step 06

    Refine the figures, focusing on accurate anatomy, drapery folds, and facial expressions.

  7. step 07

    Add subtle color variations and details to create depth and realism.

  8. step 08

    Finish by adding final highlights and details to enhance the overall impact.

color palette

primary · ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · yellow ochre

Achieve skin tones by mixing white, ochre, and a touch of red. Create shadows by adding burnt umber and blue to the base colors. Use glazes to build up depth and luminosity.

techniques

  • ·figure drawing
  • ·linear perspective
  • ·glazing
  • ·color mixing
  • ·rendering drapery

common pitfalls

  • →Incorrect proportions of figures and architecture.
  • →Flat, lifeless colors.
  • →Lack of depth and perspective.
  • →Overworking details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (ochre, ultramarine blue, burnt umber, titanium white, cadmium red, viridian green, yellow ochre)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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