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home·artworks·The Oath of Catiline
The Oath of Catiline by Joseph-Marie Vien

plate no. 3496

The Oath of Catiline

Joseph-Marie Vien, 1809

oilNeoclassicismhistory paintingfiguresarmorrobesindoor scenehistorical eventgroup portrait
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a dramatic atmosphere using chiaroscuro. It also provides practice in depicting complex interactions between multiple figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and their poses, paying attention to proportions and gesture.

  2. step 02

    Establish the overall composition and placement of the figures within the scene.

  3. step 03

    Block in the main areas of light and shadow using thin washes of color.

  4. step 04

    Develop the values and forms of the figures, gradually building up layers of paint.

  5. step 05

    Focus on rendering the details of the faces, armor, and drapery.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and volume.

  7. step 07

    Add details to the background and foreground elements.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · viridian green

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Use ivory black and burnt umber to create deep shadows. Mix viridian green with yellow ochre to create muted greens for the robes.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details before establishing the overall values.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the emotional intensity of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre, viridian green)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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