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home·artworks·The Mystical Knight (Oedipus and the Sphinx)
The Mystical Knight (Oedipus and the Sphinx) by Odilon Redon

plate no. 0410

The Mystical Knight (Oedipus and the Sphinx)

Odilon Redon, 1869

charcoal, paperSymbolismmythological paintingfiguremythologysphinxknightarchitectureangel
some experience helpful

Recreating this painting will help students develop skills in blending charcoal to create soft transitions and rendering figures in a stylized, symbolic manner. It also provides practice in creating atmospheric perspective and implied textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Establish the darkest values with charcoal, paying attention to the shadows on the figures and in the background.

  3. step 03

    Begin blending the charcoal to create smooth transitions and soft edges.

  4. step 04

    Gradually build up the mid-tones, using a lighter touch and blending carefully.

  5. step 05

    Add highlights with a kneaded eraser or a soft cloth, lifting charcoal from the paper.

  6. step 06

    Refine the details of the figures, such as the facial features and clothing.

  7. step 07

    Pay attention to the textures of the architectural elements, using short, broken strokes to create a sense of age and decay.

  8. step 08

    Review the overall composition and make any necessary adjustments to the values and details.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · ultramarine blue · light ochre

Mix burnt umber and ivory black for the darkest shadows. Use raw sienna and light ochre for the warmer highlights. Add small amounts of ultramarine blue to the background to create a cool, atmospheric effect.

techniques

  • ·charcoal blending
  • ·value shading
  • ·atmospheric perspective
  • ·implied texture
  • ·figure drawing

common pitfalls

  • →Overworking the charcoal and creating a muddy effect.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle transitions between light and shadow.
  • →Neglecting the details of the figures and architectural elements.

materials

surface · drawing paper (toned or white)

required

  • ·charcoal pencils (soft, medium, hard)
  • ·kneaded eraser
  • ·drawing paper (toned or white)
  • ·blending stumps
  • ·soft cloth
  • ·fixative spray

optional

  • ·tortillions
  • ·chamois cloth
  • ·sandpaper block

Using toned paper can help to establish the mid-tones more quickly. Fixative spray is essential to prevent smudging and preserve the drawing.

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