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The model of the sculptor by Mario Sironi

plate no. 5256

The model of the sculptor

Mario Sironi, 1924

oilNeoclassicismportraitfigureportraitsculpturewindowboxshadows
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with light and shadow. It also provides practice in simplifying complex shapes and creating a sense of depth with limited color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement of the figure, sculpture, and window.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the figure and sculpture.

  3. step 03

    Establish the basic value structure, paying attention to the light and shadow patterns.

  4. step 04

    Refine the shapes and details of the figure, focusing on the facial features and the folds of the drapery.

  5. step 05

    Add the details of the sculpture, paying attention to the form and texture.

  6. step 06

    Work on the window and the box, adding details and refining the colors.

  7. step 07

    Adjust the overall composition and value structure to create a cohesive and balanced painting.

  8. step 08

    Add final details and highlights to enhance the realism and depth of the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining raw umber, titanium white, and ivory black. Use ultramarine blue to create cooler shadows and yellow ochre to warm up the skin tones.

techniques

  • ·blocking in
  • ·value studies
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall form.
  • →Failing to establish a strong value structure.
  • →Using too many colors and creating a muddy effect.
  • →Incorrect proportions of the figure and sculpture.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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