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home·artworks·The Lutenist and Flutist
The Lutenist and Flutist by Matthias Stom

plate no. 9214

The Lutenist and Flutist

Matthias Stom, 1640

oil, canvasTenebrismgenre paintingfiguresmusical instrumentscandletableclothing
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and rendering realistic skin tones under dramatic lighting. It also provides practice in depicting textures of fabric and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures and objects.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures and instruments with mid-tone values.

  4. step 04

    Begin layering highlights and shadows to create depth and form, focusing on the areas illuminated by the candlelight.

  5. step 05

    Refine the details of the faces, clothing, and instruments, paying attention to the subtle gradations of light and shadow.

  6. step 06

    Add the candle flame and its immediate surrounding glow, using bright yellows and oranges.

  7. step 07

    Glaze over areas to unify the colors and enhance the overall tonal harmony.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, sienna, and a touch of red. Use umber and black for shadows, and add small amounts of blue to darken the shadows further. Mix ochre and white for the candle light.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using colors that are too saturated, resulting in a garish appearance.
  • →Not paying enough attention to the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth weave for better detail rendering. Consider using a toned ground to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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