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The Little Spys by Augustus Edwin Mulready

plate no. 6596

The Little Spys

Augustus Edwin Mulready, 1886

oil, canvasNaturalismgenre paintingchildrenbuildingwindowstreetfencenight
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a realistic manner, as well as understanding atmospheric perspective and light sources. Students will also learn how to create a focal point through color and composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the building.

  2. step 02

    Establish the main light source (the window) and the overall value structure.

  3. step 03

    Block in the large shapes of the figures and the building with simplified colors.

  4. step 04

    Refine the details of the figures, paying attention to their anatomy and clothing.

  5. step 05

    Add details to the building, including the windows, walls, and roof.

  6. step 06

    Develop the atmospheric perspective by softening the edges and muting the colors of the background.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and add finishing touches.

color palette

primary · burnt umber · raw sienna · cadmium red · ivory black

secondary · ultramarine blue · yellow ochre · titanium white

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use cadmium red to create the warm glow of the window. Mix ultramarine blue with white and a touch of brown for the night sky.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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