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The little flower girl by Augustus Edwin Mulready

plate no. 4849

The little flower girl

Augustus Edwin Mulready, 1887

oil, canvasNaturalismgenre paintingfiguregirlbaskettreeslandscapeclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing facial expressions and rendering realistic skin tones, as well as creating depth through atmospheric perspective in the background.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main elements of the background.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin to refine the figure, paying close attention to the proportions and anatomical details.

  4. step 04

    Develop the background, using layers of thin paint to create depth and atmospheric perspective.

  5. step 05

    Work on the details of the clothing, basket, and facial features, gradually building up the form with layers of paint.

  6. step 06

    Add highlights and shadows to create a sense of volume and dimension.

  7. step 07

    Refine the edges and details, paying attention to the overall harmony of the painting.

  8. step 08

    Apply a final layer of varnish to protect the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Create the greens in the background by mixing blue, yellow, and burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paint and increase its transparency.

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