apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Last King
The Last King by Alfred Kubin

plate no. 0105

The Last King

Alfred Kubin, 1902

oilSymbolismsymbolic paintingfigurethronecrowdtorchsmokefantasy
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering figures in a monochromatic palette. It also provides practice in cross-hatching and creating subtle tonal variations.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the placement of the king, throne, crowd, and torch.

  2. step 02

    Establish the darkest areas of the painting, such as the throne and the shadows on the figures.

  3. step 03

    Begin layering lighter tones to create the mid-ground and background, using cross-hatching to build up value.

  4. step 04

    Pay close attention to the atmospheric perspective, making the background elements lighter and less detailed.

  5. step 05

    Refine the details of the king's figure and clothing, adding subtle highlights and shadows.

  6. step 06

    Render the torch and smoke, using delicate lines and shading to create a sense of movement.

  7. step 07

    Add final details and adjust the overall tonal balance of the painting.

color palette

primary · ivory black · titanium white

secondary · payne's gray

Achieve the various shades of gray by gradually mixing black and white. Use Payne's gray for subtle cool tones in the shadows.

techniques

  • ·cross-hatching
  • ·atmospheric perspective
  • ·tonal layering
  • ·dry brushing

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Creating harsh lines instead of subtle tonal gradations.
  • →Failing to establish a strong value range, resulting in a flat and lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·graphite pencils

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending and layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull