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The hermit and the girl by François-Joseph Navez

plate no. 9640

The hermit and the girl

François-Joseph Navez, 1831

oil, canvasNeoclassicismgenre paintingfigurewomanmanlandscapepitcherclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and objects, paying attention to proportions and placement.

  2. step 02

    Establish the background with broad strokes, focusing on the overall color and value.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, creating a base layer.

  4. step 04

    Start refining the facial features, paying close attention to the light and shadow to create depth.

  5. step 05

    Develop the details of the clothing, including the folds and textures, using layering and blending techniques.

  6. step 06

    Work on the pitcher and other objects, capturing their form and reflective qualities.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figures and objects.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and polished result.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · viridian green · yellow ochre

Mix various shades of brown and beige by combining burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red and viridian green to create subtle variations in skin tones and clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overblending, resulting in a lack of texture.
  • →Inaccurate skin tones.
  • →Ignoring the subtle color variations in the clothing and background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium red, viridian green, yellow ochre)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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