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The goose girl by Paul Trouillebert

plate no. 2526

The goose girl

Paul Trouillebert

oil, canvasNaturalismportraitfiguregeesewatertreeslandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering soft, diffused light. It also provides practice in painting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, geese, and background elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas: the sky, foliage, water, and the figure's clothing.

  4. step 04

    Begin refining the background, focusing on creating depth through variations in color and value.

  5. step 05

    Develop the figure, paying attention to the light and shadow on the face and clothing.

  6. step 06

    Add details to the geese, using short, broken brushstrokes to suggest their feathers.

  7. step 07

    Refine the foreground, adding details to the grass and other elements.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · raw sienna · cadmium yellow · ivory black

Achieve the muted greens by mixing yellow ochre and ultramarine blue with varying amounts of white. Use burnt umber and white for the figure's clothing and the earth tones in the landscape.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details, which can lead to a stiff and unnatural look.
  • →Failing to create a sense of depth in the background.
  • →Making the figure too sharp and defined, which can detract from the overall harmony of the painting.
  • →Ignoring the subtle variations in color and value that create a sense of realism.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil or other painting medium
  • ·palette knife
  • ·odorless mineral spirits

optional

  • ·raw sienna oil paint
  • ·cadmium yellow oil paint
  • ·ivory black oil paint
  • ·easel

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting to paint.

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oil painting for beginners →how to learn by studying the masters →
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