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The goat by Mikalojus Konstantinas Ciurlionis

plate no. 2157

The goat

Mikalojus Konstantinas Ciurlionis, 1904

pastel, paperSymbolismanimal paintingbuildingmountainstreesvasegoatsky
some experience helpful

This painting provides practice in layering colors to create depth and atmosphere. Students can learn to simplify complex forms into basic shapes and use color to suggest texture.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes: building, mountains, trees, and the vase.

  2. step 02

    Block in the sky with a light blue pastel.

  3. step 03

    Establish the dark areas of the trees and foreground with dark green and brown pastels.

  4. step 04

    Add the basic colors of the building, using yellows and oranges.

  5. step 05

    Layer in the colors of the mountains, using purples and blues.

  6. step 06

    Develop the details of the vase, using light blues and whites.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and blend colors as needed.

color palette

primary · light blue · dark green · yellow

secondary · purple · orange · white

Mix blues and purples for the mountains. Use layers of yellow and orange for the building. Mix white with blue and green for highlights on the vase and trees.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the pastel and losing the texture.
  • →Not establishing a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective.

materials

surface · Pastel paper (toned)

required

  • ·Pastel set (soft pastels)
  • ·Pastel paper (toned)
  • ·Blending stumps
  • ·Kneaded eraser
  • ·Fixative spray
  • ·Pencil
  • ·Ruler

optional

  • ·Palette knife
  • ·Workable fixative

Choose a pastel paper with a slightly rough texture to hold the pastel. A toned paper will help to unify the colors.

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