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The Gathering by Maurice Denis

plate no. 7661

The Gathering

Maurice Denis, 1907

oil, panelSymbolismreligious paintingfigurestreeslandscapegardenstatuereligious
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice applying broken color techniques to create visual texture and depth. It also encourages simplification of forms and focusing on the overall impression rather than precise details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the placement of figures, trees, and the statue.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the background areas.

  3. step 03

    Begin building up the forms of the figures and trees with short, broken brushstrokes.

  4. step 04

    Focus on capturing the light and shadow patterns, using variations in color to create depth.

  5. step 05

    Add details to the statue and other focal points, but maintain a loose and impressionistic style.

  6. step 06

    Refine the color relationships and adjust the values to create a sense of harmony.

  7. step 07

    Add final touches and highlights to enhance the overall effect.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to balance the composition and color.

color palette

primary · titanium white · ultramarine blue · cadmium yellow light · alizarin crimson

secondary · viridian green · burnt sienna · yellow ochre

Achieve the pastel hues by mixing white with small amounts of the primary and secondary colors. Use blue and crimson to create purples, yellow and blue for greens, and red and yellow for oranges. Mix complementary colors to create muted tones.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·impressionistic brushwork

common pitfalls

  • →overworking the details
  • →muddying the colors
  • →losing the overall impression
  • →creating too much contrast
  • →not simplifying the forms

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags or paper towels
  • ·varnish

Use good quality oil paints for best results. A medium-grit canvas will provide a good surface for the broken color technique.

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