apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Garden of the Dead
The Garden of the Dead by Hugo Simberg

plate no. 2091

The Garden of the Dead

Hugo Simberg, 1896

gouache, watercolorSymbolismsymbolic paintingskeletonsgardenflowerstreespathplants
some experience helpful

Recreating this painting will help students develop skills in stylized figure drawing, botanical illustration, and creating a cohesive color scheme with limited hues. It also encourages thinking about symbolism and narrative in art.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the skeletons and garden beds.

  2. step 02

    Block in the background colors: the sky, path, and distant trees.

  3. step 03

    Paint the garden beds with a base color of yellow-ochre, then add details like wood grain and shadows.

  4. step 04

    Carefully paint the skeletons, paying attention to anatomical details and the folds of their robes.

  5. step 05

    Add the plants and flowers in the garden beds, varying their shapes and sizes.

  6. step 06

    Paint the details on the garden beds, such as the small pots and plants.

  7. step 07

    Add final details like the towel and the small red flowers in the background.

  8. step 08

    Outline the entire painting with a thin black line to enhance the graphic style.

color palette

primary · yellow ochre · black · white · green

secondary · red · blue · brown

Achieve the yellow-ochre by mixing yellow with a touch of burnt sienna. Create variations of green by mixing yellow and blue with small amounts of black or white for highlights and shadows.

techniques

  • ·flat washes
  • ·dry brushing
  • ·layering
  • ·outlining
  • ·stylized rendering

common pitfalls

  • →Overworking the details and losing the overall simplicity.
  • →Inaccurate proportions of the skeletons.
  • →Muddying the colors by over-mixing.
  • →Ignoring the importance of the black outlines.

materials

surface · watercolor paper 140lb

required

  • ·gouache paints
  • ·watercolor paints
  • ·round brushes (small and medium)
  • ·flat brush
  • ·watercolor paper
  • ·palette
  • ·water container

optional

  • ·palette knife
  • ·ruler
  • ·masking tape

Using high-quality watercolor paper will prevent buckling and allow for easier blending. Gouache can be used to create opaque layers and add details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull