
plate no. 6255
Gabriel von Max, 1885
Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and fabric folds. It also provides practice in creating a focal point through lighting and composition.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, candle, and crucifix.
Establish the background with a thin wash of neutral tones.
Block in the main shapes of the figure, paying attention to proportions and gesture.
Begin layering skin tones, using subtle variations of white, ochre, and red.
Develop the drapery and bedding, focusing on the folds and shadows.
Paint the candle and its light, creating a warm glow.
Add details to the crucifix and other objects.
Refine the overall composition and add final touches.
color palette
primary · titanium white · raw umber · yellow ochre
secondary · burnt sienna · cadmium red light · ivory black
Mix various shades of white with small amounts of raw umber and yellow ochre to achieve the pale skin tones. Use burnt sienna and cadmium red for subtle highlights and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.
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