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home·artworks·The Departure of the Prodigal Son
The Departure of the Prodigal Son by Nicolas Antoine Taunay

plate no. 1164

The Departure of the Prodigal Son

Nicolas Antoine Taunay

oil, panelNeoclassicismreligious paintingfiguresarchitecturelandscapehorsedogsky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery painting, and creating depth through atmospheric perspective. It also provides practice in rendering architectural details and animal forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and colors of the background landscape and sky.

  3. step 03

    Establish the basic values and colors of the architectural elements, paying attention to light and shadow.

  4. step 04

    Begin painting the figures, starting with the underpainting and gradually building up the details and colors.

  5. step 05

    Pay close attention to the drapery folds and how they define the form of the figures.

  6. step 06

    Add details to the horse and dog, focusing on their anatomy and texture.

  7. step 07

    Refine the details of the architectural elements and add the foliage.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · yellow ochre · cadmium red · ultramarine blue

secondary · titanium white · viridian green · raw sienna

Mix various shades of brown and ochre for the architecture and ground. Use ultramarine blue and white for the sky, and mix greens from blue and yellow. Achieve skin tones by mixing red, yellow, and white with small amounts of brown or blue.

techniques

  • ·figure drawing
  • ·drapery painting
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overly stiff or unnatural poses
  • →Flat or lifeless colors
  • →Lack of depth and dimension
  • →Ignoring the effects of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#4 flat brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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