apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Death of General Mercer at the Battle of Princeton
The Death of General Mercer at the Battle of Princeton by John Trumbull

plate no. 6253

The Death of General Mercer at the Battle of Princeton

John Trumbull, 1795

oilNeoclassicismhistory paintingbattlefigureshorsesskysoldiershistorical event
experienced study

Recreating this painting will help students develop skills in figure drawing, dynamic composition, and rendering complex scenes with multiple subjects. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and key elements.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of light and shadow.

  3. step 03

    Refine the figures, paying attention to anatomy and proportion.

  4. step 04

    Develop the background elements, such as the sky and distant landscape.

  5. step 05

    Add details to the figures, including clothing, weapons, and facial features.

  6. step 06

    Work on the horses, capturing their movement and musculature.

  7. step 07

    Refine the lighting and shadows to create depth and drama.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · red · white · brown · yellow

secondary · blue · gray · black · ochre

Achieve the red uniforms by mixing a deep crimson with touches of brown and white for highlights. The sky is a mix of blues, grays, and whites, with subtle variations to create depth.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting lost in details too early before establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate figure drawing and proportions.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red, white, brown, yellow, blue, gray, black, ochre)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs