apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Conquest of the Amorites
The Conquest of the Amorites by James Tissot

plate no. 2719

The Conquest of the Amorites

James Tissot, 1902

oilSymbolismreligious paintingcastlemountainfiguresskycloudslandscape
experienced study

Recreating this painting would help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in creating a sense of depth and scale.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, castle, and surrounding landscape, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the relative sizes of the main elements.

  3. step 03

    Block in the main color masses for the sky, mountains, and foreground, using thin washes.

  4. step 04

    Begin to define the shapes of the castle and the mountain, adding details and shadows.

  5. step 05

    Add the figures, starting with the larger groups and then adding individual details.

  6. step 06

    Refine the details of the castle, adding highlights and shadows to create a sense of depth.

  7. step 07

    Add atmospheric perspective by lightening the colors of the distant mountains and sky.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and balanced composition.

color palette

primary · gray · brown · ochre · sky blue

secondary · dark green · white · black · red

Mix grays by combining complementary colors like burnt umber and ultramarine blue with white. Achieve earth tones by mixing browns, ochres, and siennas.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·layering

common pitfalls

  • →getting lost in the details too early
  • →failing to establish a strong value structure
  • →overworking the painting
  • →incorrect perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·photo reference

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull