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home·artworks·The Coming of Bride
The Coming of Bride by John Duncan

plate no. 0259

The Coming of Bride

John Duncan, 1917

oilSymbolismgenre paintingfigureschildrenlandscapeflowerstreesfoliage
some experience helpful

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating a sense of depth through subtle color variations. It also encourages practice in depicting complex compositions with multiple subjects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and landscape elements, focusing on proportions and placement.

  2. step 02

    Establish the background with thin washes of color, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main color masses for the figures, paying attention to skin tones and drapery folds.

  4. step 04

    Begin refining the details of the figures, including facial features, hair, and clothing.

  5. step 05

    Add the floral elements and foliage, using a variety of brushstrokes to create texture and interest.

  6. step 06

    Refine the lighting and shadows, adding highlights to create a sense of volume.

  7. step 07

    Adjust the overall color balance and add any final details.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · titanium white · yellow ochre · cerulean blue

secondary · alizarin crimson · ultramarine blue · raw umber

Mix various shades of white with small amounts of other colors to achieve the subtle variations in the figures' clothing and skin tones. Use yellow ochre and cerulean blue for the landscape, and alizarin crimson and ultramarine blue for the floral elements.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·color layering
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh shadows
  • →Muddy colors
  • →Lack of depth in the landscape

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cerulean blue oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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