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home·artworks·The Cold Devils
The Cold Devils by Felicien Rops

plate no. 4899

The Cold Devils

Felicien Rops, 1860

lithography, paperSymbolismnude painting (nu)figurenudedraperybeddark atmosphere
some experience helpful

Recreating this painting will help students develop skills in tonal shading and creating depth using a limited palette. It also provides practice in rendering the human form and drapery with expressive strokes.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions.

  2. step 02

    Establish the darkest areas with a thin wash of dark brown.

  3. step 03

    Build up the mid-tones using short, directional strokes.

  4. step 04

    Define the light areas of the figure and drapery with lighter tones.

  5. step 05

    Add details to the face and hands, paying attention to subtle value changes.

  6. step 06

    Refine the background with varying densities of hatching and cross-hatching.

  7. step 07

    Add final highlights to create contrast and depth.

  8. step 08

    Soften edges where needed to create a sense of atmosphere.

color palette

primary · sepia · ivory black · titanium white

secondary · raw umber

Mix sepia and ivory black for the darkest tones. Use titanium white to create lighter shades and highlights. Raw umber can be added for subtle variations in tone.

techniques

  • ·hatching
  • ·cross-hatching
  • ·scumbling
  • ·dry brushing
  • ·tonal shading

common pitfalls

  • →Overworking the details too early.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a strong value range.
  • →Ignoring the direction of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·sepia oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·raw umber oil paint
  • ·medium (e.g. Liquin)

A toned canvas (light brown or gray) can be helpful for establishing the mid-tones.

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