
plate no. 5335
John Duncan, 1914
Recreating this painting will help students develop skills in rendering figures with subtle skin tones and creating atmospheric perspective in the background. It also provides practice in depicting flowing hair and drapery.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and the swan.
Establish the background sky and water with loose washes of color.
Block in the main shapes of the figures, paying attention to proportions.
Begin layering skin tones, using subtle variations in color to create form.
Add details to the hair and drapery, using thin, flowing brushstrokes.
Define the rocks and water details, adding highlights and shadows.
Paint the swan, focusing on its smooth, elegant form.
Refine the overall composition, adjusting values and adding final details.
color palette
primary · titanium white · ultramarine blue · yellow ochre
secondary · burnt sienna · alizarin crimson
Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and white for the sky, and add burnt sienna for the rocks.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow of the paint.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress