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home·artworks·The celebration of the wedding agreement
The celebration of the wedding agreement by Mikhail Shibanov

plate no. 8175

The celebration of the wedding agreement

Mikhail Shibanov, 1777

oilNeoclassicismgenre paintingfiguresinteriortableclothingweddingcelebration
experienced study

Recreating this painting will help students develop skills in rendering complex figures in a dimly lit interior and understanding how to create a sense of depth and atmosphere with muted colors.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the table, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the dark areas of the background and the shadows on the figures.

  3. step 03

    Start layering in the mid-tones, focusing on the skin tones and the colors of the clothing.

  4. step 04

    Develop the details of the faces, paying close attention to the subtle variations in light and shadow.

  5. step 05

    Add the patterns and textures of the clothing, using small brushstrokes to create a sense of realism.

  6. step 06

    Refine the details of the table and the objects on it, paying attention to the highlights and shadows.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of harmony and depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · Prussian blue

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of thinned paint to build up depth and richness.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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