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home·artworks·The Cascades of Tivoli
The Cascades of Tivoli by Claude-Joseph Vernet

plate no. 1339

The Cascades of Tivoli

Claude-Joseph Vernet, 1760

oil, canvasNeoclassicismlandscapewaterfalllandscapefiguresarchitecturetreesrocks
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering water movement, and creating depth through layering and tonal variations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: waterfall, rocks, buildings, and figures.

  2. step 02

    Establish the overall tonal range by applying a thin wash of burnt umber or raw sienna to the entire canvas.

  3. step 03

    Block in the darkest areas first, focusing on the rocks and shadows within the landscape.

  4. step 04

    Gradually build up the lighter areas, paying attention to the highlights on the waterfall and rocks.

  5. step 05

    Begin layering the colors for the foliage and trees, using a variety of greens and browns.

  6. step 06

    Add the figures in the foreground, paying attention to their proportions and drapery.

  7. step 07

    Refine the details of the architecture in the background, using a small brush.

  8. step 08

    Add final highlights and details to the waterfall and rocks to create a sense of realism.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · cadmium red · viridian green · raw sienna

Achieve the muted greens by mixing yellow ochre and ultramarine blue with a touch of burnt umber. Create the warm tones of the rocks by layering burnt umber, raw sienna, and a touch of cadmium red. Use titanium white to lighten and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering water
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal foundation.
  • →Using colors that are too bright or saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, titanium white, ultramarine blue, yellow ochre, cadmium red, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags or paper towels

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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