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home·artworks·The British Bombardment of Copenhagen, Night Between 4th and 5th of September 1807
The British Bombardment of Copenhagen, Night Between 4th and 5th of September 1807 by Christian August Lorentzen

plate no. 6667

The British Bombardment of Copenhagen, Night Between 4th and 5th of September 1807

Christian August Lorentzen, 1807

oilNeoclassicismhistory paintingcityscapebuildingsfirefiguresskyhistorical event
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It will also teach how to create a sense of drama and movement through light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the buildings and figures.

  2. step 02

    Block in the large shapes of the buildings and sky with thin washes of color, focusing on the overall value structure.

  3. step 03

    Establish the light source and begin to build up the highlights and shadows on the buildings and figures.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using small brushes.

  5. step 05

    Paint the figures in the foreground, paying attention to their gestures and poses.

  6. step 06

    Create the effect of fire and smoke by layering warm and cool colors, and using soft blending techniques.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Glaze over the entire painting to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · yellow ochre · ivory black

secondary · cadmium red · ultramarine blue

Mix burnt umber and ivory black for the dark areas. Use yellow ochre and cadmium red for the fire. Mix ultramarine blue with burnt umber to create muted greys for the buildings.

techniques

  • ·atmospheric perspective
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the perspective wrong on the buildings.
  • →Making the figures too detailed and distracting from the overall composition.
  • →Overworking the fire and making it look unnatural.
  • →Not creating enough contrast between the light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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