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home·artworks·The Beginning of Life
The Beginning of Life by Frantisek Kupka

plate no. 5033

The Beginning of Life

Frantisek Kupka, 1900

etching, paperSymbolismsymbolic paintinglily padswaterembryocircleslightsymbolism
some experience helpful

Recreating this painting will help students understand layering techniques to create depth and luminosity, and how to use a limited palette to create a cohesive mood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, lily pads, and the two overlapping circles.

  2. step 02

    Establish the dark background using a mix of browns and blacks, leaving space for the light emanating from the lotus.

  3. step 03

    Block in the general shapes of the lily pads with muted greens and blues, varying the tones to suggest depth.

  4. step 04

    Begin layering the yellow and white tones to create the glowing effect of the lotus and the circle, focusing on the light source.

  5. step 05

    Paint the embryo shape within the upper circle using white, adding subtle shading for form.

  6. step 06

    Define the edges of the circles with a soft blue halo, blending it into the background.

  7. step 07

    Add details to the lily pads, such as veins and subtle reflections in the water.

  8. step 08

    Refine the overall composition, adjusting values and colors to achieve the desired atmospheric effect.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cerulean blue · sap green

Mix yellow ochre and white for the lotus glow. Use burnt umber with a touch of black for the dark background. Muted greens are achieved by mixing sap green with burnt umber and white.

techniques

  • ·layering
  • ·glazing
  • ·soft blending
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details on the lily pads
  • →Making the circles too perfect and losing the organic feel
  • →Not creating enough contrast between the light and dark areas
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Retarder medium
  • ·Varnish

Use a medium-grain canvas for better texture. Consider using a toned canvas (e.g., light brown) to establish a base color.

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