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home·artworks·The Annunciation under the Arch with Lilies
The Annunciation under the Arch with Lilies by Maurice Denis

plate no. 5966

The Annunciation under the Arch with Lilies

Maurice Denis, 1913

oil, canvasSymbolismreligious paintingfiguresarchitecturearchesliliesskyreligious
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the arches and figure placement.

  2. step 02

    Block in the large areas of color: the gold background, blue sky, and figures' clothing.

  3. step 03

    Layer in the mid-tones and shadows on the arches and figures to create form.

  4. step 04

    Add details to the sky, including the suggestion of buildings and clouds.

  5. step 05

    Paint the lilies and other plants, paying attention to their shapes and colors.

  6. step 06

    Refine the details of the figures' faces and hands.

  7. step 07

    Add final highlights and shadows to enhance the overall composition.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · ultramarine blue · titanium white

secondary · burnt sienna · alizarin crimson · sap green

Mix various shades of blue by adding white and a touch of crimson to ultramarine. Create the gold background by mixing yellow ochre with burnt sienna and a touch of white.

techniques

  • ·layering
  • ·glazing
  • ·color mixing
  • ·simplification of forms
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Using colors straight from the tube without mixing
  • →Ignoring the overall composition and focusing too much on individual elements
  • →Not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, ultramarine blue, titanium white, burnt sienna, alizarin crimson, sap green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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