apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Angel of Revelation
The Angel of Revelation by William Blake

plate no. 0893

The Angel of Revelation

William Blake, 1805

pen, ink, watercolorSymbolismreligious paintingfigureangelrevelationcloudslightreligious
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly anatomy and drapery, as well as watercolor techniques like layering and glazing to create depth and luminosity.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic figure and compositional elements.

  2. step 02

    Apply a thin wash of yellow to the background, creating the radiating light.

  3. step 03

    Begin layering washes of gray and blue to define the clouds and figures within them.

  4. step 04

    Carefully build up the figure's form with light washes of flesh tones, paying attention to anatomical details.

  5. step 05

    Use darker washes to create shadows and define the drapery.

  6. step 06

    Add details to the faces and hands of the figures.

  7. step 07

    Outline key areas with pen and ink to enhance definition.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · yellow ochre · payne's gray · titanium white

secondary · burnt sienna · ultramarine blue

Mix yellow ochre with white for the light source. Use Payne's gray and ultramarine blue for the shadows and clouds. Burnt sienna can be used to add warmth to the flesh tones.

techniques

  • ·watercolor washes
  • ·glazing
  • ·figure drawing
  • ·pen and ink outlining
  • ·atmospheric perspective

common pitfalls

  • →Overworking the watercolor washes and losing luminosity.
  • →Inaccurate figure proportions.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value shifts that create depth.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·fine-tipped pen
  • ·graphite pencil
  • ·kneaded eraser
  • ·palette
  • ·water container

optional

  • ·masking fluid
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull