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home·artworks·The Ancient of Days
The Ancient of Days by William Blake

plate no. 9857

The Ancient of Days

William Blake, 1794

etching, pen, ink, watercolor, paperSymbolismillustrationfiguresunlightcloudscompassdivine
experienced study

Recreating this painting will help students develop skills in figure drawing, color blending, and creating dramatic lighting effects. It also provides practice in rendering textures and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, sun, and clouds, focusing on proportions and composition.

  2. step 02

    Underpaint the entire image with a thin layer of burnt sienna or raw umber to establish values.

  3. step 03

    Begin layering in the darker areas of the background and figure using black and dark browns.

  4. step 04

    Apply the base colors for the sun and figure, blending warm yellows, oranges, and reds.

  5. step 05

    Add highlights to the figure and sun using lighter yellows and whites, focusing on areas of direct light.

  6. step 06

    Refine the details of the figure's face, hair, and hands, paying attention to subtle value changes.

  7. step 07

    Paint the compass with a light yellow, adding highlights to create a metallic effect.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and dramatic image.

color palette

primary · yellow ochre · burnt sienna · black

secondary · cadmium red · titanium white · ultramarine blue

Achieve the skin tones by mixing yellow ochre, burnt sienna, and a touch of red. Create the glowing effect of the sun by layering yellows, oranges, and reds, and then glazing with a thin layer of yellow.

techniques

  • ·glazing
  • ·dry brushing
  • ·color blending
  • ·figure drawing
  • ·chiaroscuro

common pitfalls

  • →Overblending colors, which can result in a muddy appearance.
  • →Failing to establish a strong value structure early on.
  • →Ignoring the subtle variations in color and texture.
  • →Getting lost in details before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (small and medium)
  • ·flat brushes (medium)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleaning

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Using a toned canvas (e.g., with a wash of burnt sienna) can help establish the initial values and create a warm undertone.

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watercolor techniques →how to draw →how to learn by studying the masters →
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