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home·artworks·The Ancient City of Agrigento
The Ancient City of Agrigento by Pierre-Henri de Valenciennes

plate no. 1243

The Ancient City of Agrigento

Pierre-Henri de Valenciennes, 1787

oil, canvasNeoclassicismlandscapelandscapecityscapemountainsskyfiguresarchitecture
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details within a landscape. Students will also learn how to create depth and dimension using value and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective.

  2. step 02

    Block in the main shapes of the sky, mountains, and city using thin washes of color.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and atmosphere.

  4. step 04

    Develop the details of the architecture, focusing on accurate proportions and perspective.

  5. step 05

    Add details to the foreground elements, such as the figures and ruins.

  6. step 06

    Refine the colors and values throughout the painting, paying attention to the subtle shifts in tone.

  7. step 07

    Add highlights and shadows to create a sense of form and volume.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium red · viridian

Achieve atmospheric perspective by mixing blues and grays with white to create lighter, cooler tones for distant elements. Use warmer tones of yellow ochre and burnt umber for foreground elements.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering architecture
  • ·value studies

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not blending them effectively.
  • →Ignoring the subtle shifts in value and color that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, cadmium red, viridian)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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