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home·artworks·Tennis Court Oath, 20 juin 1789
Tennis Court Oath,  20 juin 1789 by Luc-Olivier Merson

plate no. 2996

Tennis Court Oath, 20 juin 1789

Luc-Olivier Merson

oilSymbolismhistory paintingfigureshistorical eventindoor scenecrowdarchitecturepolitical gathering
advanced study

Recreating this painting will develop skills in figure drawing, composition with many elements, and creating a sense of depth through atmospheric perspective. Students will also learn to manage a limited color palette to create a cohesive and impactful image.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of the main figures.

  2. step 02

    Divide the canvas into sections to manage the complexity of the crowd.

  3. step 03

    Establish the background and general lighting scheme, focusing on the large planes of the wall and ceiling.

  4. step 04

    Start blocking in the main figures, paying attention to their gestures and proportions.

  5. step 05

    Refine the details of the figures in the foreground, adding shadows and highlights.

  6. step 06

    Gradually simplify the figures in the background, using less detail and softer edges.

  7. step 07

    Add the architectural details of the room, such as the windows and balcony.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · burnt umber · payne's gray

Achieve the muted tones by mixing white with small amounts of black, umber, and ochre. Use thin glazes of color to build up depth and create subtle variations in tone.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting overwhelmed by the number of figures and losing sight of the overall composition.
  • →Overworking the details in the background, which can flatten the image.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches or larger)
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·payne's gray oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas with a smooth surface for best results. Consider using a toned ground to simplify the initial stages of painting.

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