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home·artworks·Temple of Apollo in Phigalia
Temple of Apollo in Phigalia by Karl Bryullov

plate no. 0937

Temple of Apollo in Phigalia

Karl Bryullov, 1835

watercolor, paperNeoclassicismlandscaperuinstemplelandscapecolumnsskyflowers
some experience helpful

Recreating this painting will help students develop skills in watercolor layering, creating atmospheric perspective, and rendering architectural details with loose brushwork. It also provides practice in color mixing to achieve muted, natural tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the temple ruins, landscape, and sky.

  2. step 02

    Apply a light wash of diluted blue and gray for the sky, allowing it to blend naturally.

  3. step 03

    Paint the distant mountains with a very diluted wash of blue-gray to establish atmospheric perspective.

  4. step 04

    Add a base layer of ochre and brown washes to the foreground, indicating the field.

  5. step 05

    Begin building up the temple ruins with layers of gray and brown, paying attention to the light and shadow.

  6. step 06

    Use dry brush techniques to add texture to the ruins and foreground.

  7. step 07

    Add details to the foreground with small brushstrokes to represent flowers and foliage.

  8. step 08

    Refine the details and add final touches to the sky and landscape.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · alizarin crimson · raw umber · payne's gray

Mix blues and grays for the sky and distant mountains. Combine burnt sienna and yellow ochre for the foreground, adding touches of alizarin crimson for the flowers. Use raw umber and payne's gray for the temple ruins.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·wet-on-dry

common pitfalls

  • →Overworking the details in the ruins.
  • →Using too much water and losing control of the washes.
  • →Failing to create a sense of depth with atmospheric perspective.
  • →Making the colors too saturated.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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