apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Tarnovo
Tarnovo by Felix Philipp Kanitz

plate no. 6824

Tarnovo

Felix Philipp Kanitz, 1885

oilNaturalismlandscapelandscapecityscapehillsriverskytrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering washes to create depth. It also offers practice in rendering detailed architectural elements within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Establish the sky with a light blue wash, adding subtle variations for clouds.

  3. step 03

    Block in the distant hills with diluted earth tones, creating a sense of atmospheric perspective.

  4. step 04

    Paint the river with varying shades of blue and green, reflecting the sky and surrounding landscape.

  5. step 05

    Begin adding details to the cityscape, focusing on the overall shapes and forms of the buildings.

  6. step 06

    Develop the foreground elements, such as the rocks and trees, with more detail and texture.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Refine the details and make any necessary adjustments to the overall composition.

color palette

primary · cerulean blue · raw umber · burnt sienna

secondary · yellow ochre · sap green · titanium white

Mix blues and whites for the sky, and earth tones with greens and yellows for the landscape. Use white to lighten colors for highlights and to create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·layering washes
  • ·dry brushing
  • ·rendering details
  • ·color mixing

common pitfalls

  • →Overworking the details in the distant areas, which can flatten the perspective.
  • →Using too much contrast, which can make the painting look harsh.
  • →Neglecting the importance of atmospheric perspective, which can reduce the sense of depth.
  • →Not varying the colors enough, which can make the painting look monotonous.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·paper towels
  • ·masking tape

optional

  • ·palette knife
  • ·gouache
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Consider using a larger sheet of paper to allow for more detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt