apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sylvester Gardiner
Sylvester Gardiner by John Singleton Copley

plate no. 0109

Sylvester Gardiner

John Singleton Copley, 1772

oil, canvasNeoclassicismportraitportraitfigureclothingchairwigmale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness. It also provides practice in rendering fabric and creating subtle gradations of color to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main colors of the background, clothing, and skin tones.

  4. step 04

    Refine the facial features, paying close attention to light and shadow.

  5. step 05

    Develop the details of the clothing, including the buttons and fabric folds.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background and chair, ensuring they complement the figure.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt sienna · ivory black · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Mix burnt sienna and ivory black for the background shadows. Use cadmium red and burnt sienna for the red coat, adding white for highlights and black for shadows. Mix white, yellow ochre, and a touch of red for skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy colors.
  • →Lack of attention to detail in the facial features.
  • →Flat or lifeless rendering of the fabric.
  • →Ignoring the value structure and creating a painting that lacks depth.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: burnt sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs