
plate no. 0109
John Singleton Copley, 1772
Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness. It also provides practice in rendering fabric and creating subtle gradations of color to model form.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, chair, and background.
Establish the overall value structure with a thin wash of burnt umber.
Block in the main colors of the background, clothing, and skin tones.
Refine the facial features, paying close attention to light and shadow.
Develop the details of the clothing, including the buttons and fabric folds.
Add highlights and shadows to create depth and dimension.
Refine the background and chair, ensuring they complement the figure.
Add final details and adjust values as needed.
color palette
primary · burnt sienna · ivory black · titanium white · cadmium red
secondary · ultramarine blue · yellow ochre
Mix burnt sienna and ivory black for the background shadows. Use cadmium red and burnt sienna for the red coat, adding white for highlights and black for shadows. Mix white, yellow ochre, and a touch of red for skin tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs